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In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. Merra, leader of the Wu-Ronz tribe of Bukuro joins forces with heavy hitting sadistic gangster Buppa of Buppa Town. With Buppa's support, Merra aims to initiate a gang war between the Wu-Ronz and the Musashino Saru, and in a confrontation between the two attempts to kill popular member of the Musashino Saru - Kai. By mistake, Merra instead kills Kai's friend Tera (a Musashino Saru member beloved by members of all Tribes since before their formation). This leads to the joining of forces between all of the Tokyo Tribes in an all out war against Merra and Buppa's forces.
In an alternate Japan, territorial street gangs form opposing factions collectively known as the Tokyo Tribes. Merra, leader of the Wu-Ronz tribe of Bukuro crosses the line to conquer all of Tokyo. The war begins.
I've been to Tokyo, and it is just like this…if 'this' is 'Grand Theft Auto: Tokyo'. Sion Sono's latest film is certainly an experience.<br/><br/>I first came across 'Tokyo Tribe', that is to say to strangely titled 'Tokyo Tribe 2', while in, erm, Tokyo. Bored, and looking for a new anime series to entertain, I searched my local 'Book Off' and came across something that looks like it might combine both anime and hip hop in a way that only 'Samurai Champloo' could do before it. On the cheap (for Japan), I purchased volumes 1, 2, 4 and 5 of the DVD collection, being that 3 and 6 were unavailable on that day. Being that I was in Japan, there was no need for English translations on these bad boys, so I could merely watch the interesting images and listen to the fat beats which were contained within. <br/><br/>Loosely, the plot centres around the Mushashino Saru gang, a group of fun-loving kids that hang out at a diner. But, being just one of twenty-three gangs in Tokyo, all representing their 'hood in their own unique way, they soon find their peaceful lives caught up in gang wars. It's 'The Warriors' in Japanese.<br/><br/>The anime of Santa Inoue's manga comes with GTA-style breakdowns of the characters, the gangs, the locations, the eateries involved in this semi-fictional Tokyo world. I like the anime (not that I understand it, wakarimashita?!), with the music and style; seriousness and comedy, but mainly the ending credits, which always need to deliver in an anime series. So, now comes the live-action version from bum-crampingly- long film director Sono: a man that might have one said that both Miike Takashi and Kitano Takeshi are both 'dead', but also might have not. <br/><br/>When turning a cartoon into a live-action, it's always interesting to the approach that will be taken. Sono certainly takes some interesting ones here. The first notable one is that this being a hip hop anime, 90% of what is said is 'rapped', with a combination of actors trying their best and some Japanese wordsmiths making up the cast. What starts off as interesting, soon starts to feel like a potentially irritating gimmick, before you settle into it and it becomes natural. After two hours of this, you will only want to speak in rap-form…in Japanese. <br/><br/>The second noticeable element is that of bling. Hip hop is always something that I feel is very anti-Japanese. Despite my love of both Japanese culture and hip hop, the loud, brash, bragging rights world of hip hop simply doesn't fit with that image of polite and respectful Japanese. But, being a man that regularly listens to Japanese ragga on vinyl, this cross-culture exists, and my Japanese hip hop collections is ever on the increase. But the US gangsta ethic feels a little strange in Japanese, with many of the gangs coming straight out of a comic book. But this is straight out of a comic book, and so some poetic license needs to be allowed here. <br/><br/>When watching characters in animated form, it is acceptable for them to be larger than life and somewhat unbelievable, but you're always unsure how to take them when they're actual humans. The sick and twisted characters certainly are that in Sono's 'Tokyo Tribe', and the gang colours come across as much hilarious as threatening. <br/><br/>Reality is not the name of the game here, with 'Tokyo Tribe' feeling very much like a game of 'GTA': not feeling in anyway based on real- life, but a dream world men wish they lived in, but would run from as soon as it was in their face. This is, therefore, pure silliness in a can…of film, the film's farcical conclusion in-line with the rest of the two hours. <br/><br/>There are good and bad elements in this film: The good include the rapping, which is interesting and gives the film a rhythm, though maybe not a linear plot. while the rappers in the cast can obviously hold their own, novices, like actor Shota Sometani take on a lot of rapping and while not blessed with talent can pull it off for the duration. There is certainly a lot of invention here as well, with creative set designs in-line with the manga and anime. <br/><br/>But with all that rapping and less-than-coherent plot, this is at times a little long and at times disjointed. But, much like Miike Takashi - a man he will inevitably be compared to - before him, Sono is a creative director that will keep churning them out, not dwelling too much on how films are received, working on what new and crazy things to do next…<br/><br/>Tokyo Tribe, never ever die…
the rapping parts were good, fighting scenes mostly good, had a good ending. There were some kind of lame parts but only maybe twenty percent. It was impressive how the Japanese rapping was rhyming and the English translations rhymed as well. Another part I thought was really cool was how this karate school-girl's panties would be showing during her high kicks. This movie was a little reminiscent of Crow's Nest Zero but this was superior. Five years after the Shibuya riots, the Tribes of Tokyo have been enjoying a period of relative peace, until Kim and two other members of the Musashino Saru intrude on the territory of the Wu-Ronz in Bukuro. Mera, the leader of Wu-Ronz kills the three Saru, under the assumption that they were members of the Shibuya Saru. Two days later, after searching for who killed his friends, Musashino Saru member Kai runs into Mera. Old friends in their high school days, the two get into a confrontation that ends up leaving Tera, the leader of Musashino Saru, dead and setting the stage for violence between the Tribes.
It’s a garish mess, more interesting as a concept and production design exercise than as a movie. But you’ve never seen anything quite like it.
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